I’m writing this on December 5. I’m sitting at my desk, at about 7:40 AM, the sun has just risen in the east-southeast, as it does at this time of year when the sun’s arc is short. A straight shaft of sunlight pierces the window to my left and gently warms me on this cold winter morning. It is a welcome sensation that I have missed over the past 4 or 5 months given the abysmal weather we have been experiencing.

For the first time it seems since the early summer, meteorologists are predicting a prolonged period of dry, clear, if cold weather. For people prone to the “winter blues”, this is a welcome development.

When I last wrote back in early October, we had not really experienced any real autumn color. As it turned out, it was a long time coming. Usually, so-called “peak leaves” occurs around October 15, with the foliage largely off the trees by the end of the month. This year, the days around Halloween were probably the most colorful.

If only the weather cooperated. It seems like every day I was off and available to shoot, it was pouring rain. This was true through most of the weekends in the last several months, which initially got very discouraging. I got about when I could. I found myself relying on the X Pro 2 when shooting between raindrops given that it is relatively weatherproof.

Perhaps the only weekend in the fall that I remember there being favorable weather was in early November. At that time, my wife and I traveled to New York City to support a good friend who was running in the New York Marathon. Both Saturday and Sunday were clear, with mild temperatures.

We walked the city extensively and were quite surprised by the level to which New Yorker’s turned out for the event, and the extraordinary organization involved.

My wife and I watched the race in the upper east side, from a neighborhood pub which is frequented by a good friend of mine. It was a welcome respite from the rain and fog of the Pocono plateau.

Alas, on Monday morning when I woke to take a last photographic sojourn around Manhattan, it was raining again. Drat. I didn’t even get to make my usual walk to B+H photo.

 Back at home, whatever was left of the fall visuals, was pretty much eradicated on the 13^th of November when a rogue, early season nor’easter dumped snow over the region. At the altitude where I reside, we got about 13 inches of very dense snow that was quite challenging to remove, particularly given that I had not yet converted my equipment over to winter mode.

The snow hung around for several weeks, but then, a long period of warm rainy/foggy weather finally has returned us to our late fall landscape.

So now we are looking at a prolonged dry spell, and hopefully, the end to this weather pattern which has plagued us since at least June.

We’ll see…

If it’s gonna be a rainy day
There’s nothing we can do to make it change
We can pray for sunny weather
But that won’t stop the rain.

   – Jim Morrison

 

I live in an old resort community, on the edge of the Pocono plateau in Pennsylvania. This is an old settlement, founded in the 1880’s on either side of a what was then the main road between towns. In the center of the community, there is a creek that runs below a 70-80-year-old masonry culvert.

Over the years, the road, still owned by the township, services only a few properties beyond our community. It is no longer a main thoroughfare.

The creek at this point is perhaps 200 yards from its inception in an artesian spring, one of many that bubble up in the surrounding woodlands. Being so close to the source, there is little watershed to feed the creek. Typically, by late July, the creek bed under the road is dry. In the 30 years I have lived there, this has always been the case.

In the last 3 years the culvert has been deteriorating to a point where it needed replacement. it’s an expensive proposition, and the Township has been struggling to find the money.

A state grant was obtained, and the job bid out. This spring we were told, that the “culvert” would finally be replaced in the late summer when the creek ran dry.

Unfortunately, however  the summer of 2018, about the wettest summer in my memory. As of early October, the stream is running as vigorously as though it was late March.

As it turns out my memory is fairly good.  According to NOAA, this is been a record here for rainfall in my region.

Now I want to recognize devastating effects caused by hurricanes, that have already occurred and will apparently occur again in the southern US.  The fact is however, we’ve had more rainfall as compared to normal than anywhere in the U.S.

The wet summer has had a variety of consequences. Fall foliage is clearly delayed by at least a week or maybe two, and many trees apparently affected by the super-saturated soils have already lost their leaves prior to any change in color. I understand that this is particularly true of apple trees. Sometime in the summer, both of my apple trees dropped their foliage, and then feebly tried to push out a second crop of sparse greenery.

It is a great year for mycology. In both the forests, and the lawns, I have never seen a greater variety of mushrooms springing up in places they are not generally seen.

It has been a constant battle to fix the washouts of the gravel driveway that leads to up to my barn. My house painter, who works on part of my house every year, is so delayed that I doubt he will get to me.

As I alluded to in an early article, on any warm day biting insects remain a significant problem even at this late date due to the persistence of vernal pools.

 

As I write this (October 9) we have just enjoyed a 3 day weekend of fog, mist and intermittent downpours.  It was so humid, in the outdoors, that my X100F autofocus started to act strangely, only to return to normal in my dry studio.

At our location and altitude, normal peak foliage time is around 15 October, yet at this point, with less than a week to go , most of the foliage is still green. It will be interesting to see the effect of all of this rain on the quality of the colors when they finally occur. 

I’m afraid I am not optimistic.

 

 

 

 

 

 

It has been an unusual summer for the Pocono region of Pennsylvania, if not for most of the mid-Atlantic region.  Brief periods of muggy partially sunny weather have offered inadequate solace for the long periods of days of gloomy skies with intermittent downpours that flooded our basements as well as our creeks and rivers.  Unusual for August, the Susquehanna River came near the top of its banks, and flooded many low-lying areas.

Despite this, summer goes on.

I am of an age, where the children of my contemporaries are now getting married.  I had 2 such ceremonies this year where I could be the guest, and not the photographer.

 Weather-wise the first wedding came off without a hitch, occurring during a rare appearance of pleasant sunny weather. The second wedding, which was held in a gorgeous lakeside lodge in Bucks County, was thoroughly rained out.  It was kind of sad to look out at the teeming rain, and see the archway, and the white chairs still forlornly waiting to be occupied.  Nonetheless it was a lovely ceremony, even held indoors.

The weather this year has certainly affected my photographic output.  Often the rainy periods occurred over weekends when I have time to shoot. Even when it wasn’t raining, the warm muggy air seemed to egg on the biting flies and particularly the mosquitoes.  The latter are breeding profusely given the persistence of vernal ponds and other areas of standing water.

This weekend, given the extravagant run off, I thought it would be interesting to photograph moving water.  How naïve.  I grabbed my X100f and a tripod, and gamely hiked out into the nearby State Forest intending to visit a hidden glen I know well.

It took about 5 minutes to figure out, that this wasn’t the day for unhurried tripod work.

I was almost instantly set upon by hordes of mosquitoes who would likely exsanguinate me, if I stopped long enough to set up a tripod.  They certainly provided me the incentive for a brisk walking pace.

I have another wedding to attend, this time for my niece Alex, in Jersey City this weekend.  The weather it is said, will have turned by then, providing bright blue skies, cool temperatures and low humidity.  I will probably shoot a few images, and try hard, as always not to get in the way of the hired gun.

 I am happy that she will not have to come up with a plan B.  And I am hopeful that this weather change portends a more hospitable late summer and fall.

 And hopefully, less mosquitoes.

 

The winter of 2017-18 is over.  At least chronologically.

As I write this, it is the first full day of spring.  For the third time this March, a Nor’easter has formed off the coast of the Outer Banks and is making its way north.

It is now spreading snow over the Appalachians, and points east.  Forecasts for this storm have been wavering, but I think that between 2 and 6 inches over the elevation or I reside is likely (5″ eventually fell).  Though I do yearn for spring, the upcoming weekend is forecast to be sunny and pleasant.  It will likely offer one more opportunity for cross-country skiing before I put my equipment away.

It has been a strange winter.We had a little snow earlier in the year, and then extremely warm February.  By groundhog day it seemed likely that we would drift right into spring (though the groundhog disagreed).  Winter is cruel that way.

Then came March with its storms which in our part of the Poconos have maintained an adequate snowpack for recreation.  Today’s storm continues that trend.  And the warm weather, at least according to the meteorologists, is not yet in sight.

The last several months have been a busy time.  Given my position as a pulmonary physician, this winter’s flu epidemic kept me on my toes, running between patient rooms, gowning and re gowning to avoid the spread of the virus to other patients and hospital staff.  I have been overseeing some renovations at my home, including a new home office and photo studio.  Earlier in March, I spent my usual late winter week in the Adirondacks.  There was plenty of snow for skiing and snowshoeing as well as photography.   This will serve as my excuse for the lack of attention to the site over the past month or so.  Now happily, the flu epidemic has waned, and my renovations are largely done. It’s time to put pen to paper (so to speak).

In the time since my last article, mindful of my good experience with the rather modest XF 18–55mm zoom legacy lens, I focused my attention on its bigger brother, the XF55-200mm f3.5-4.8 OIS zoom that hearkens from the same time period.  I have written about this lens before.  Ironically, I published its original review almost exactly the same time of year back in 2014.   Now with the higher resolution sensors available on newer Fujifilm bodies, it was worth digging out of my roomy new equipment cabinet for a second look.

Over the years, this is proven to be a fairly rugged lens. Though I used it fairly frequently in its early years, cosmetically it looks roughly the same as when I took delivery.  At 55mm, and without its deep lens-shade, the lens is fairly compact, though it telescopes awkwardly as one increases the focal length.  It tends to look weird on a rangefinder style body such as the X Pro 2, though it handles just fine.

The focus and aperture dials remain smooth after 4 years of ownership.  The lens continues to exude high-quality.  Though it is not officially weather-sealed, I have used it multiple times in rainy or snowy conditions without any difficulty.

 

In my normal photography with the Fuji system, I tend to favor mild wide lenses like the 23 mm lens in my X100 series cameras, combined with a mild telephoto such as my XF 56mm f1.2.  With the 50-200mm I tended to shoot from its short end, out to about 160 mm, because as it approaches 200 mm, sharpness is known to deteriorate slightly.  It thus tends to be an outdoor lens, as it is not nearly fast enough, (nor razor sharp wide open like the Fuji primes ) for natural light indoor photography.

Particularly on a “long” lens. the addition of optical image stabilization (OIS) is extremely convenient. It definitely increases your “keepers” if your subject is static.

Now I love being a prime lens snob. To be honest, though, the quality of both of the original “kit” lenses is somewhere between more than adequate to awesome, Used within their limitations (good light, slowly moving subjects) they are no impediment to producing quality prints of landscape subjects. This suits me fine.  If I want to go back to shooting sports and fast-moving wildlife, I would probably invest in a use or refurbished Nikon D7XXX body to use with the  70-200 f2.8 VR Nikkor that still lurks in my studio.  For what I do, this Fuji telephoto zoom works just fine.

 

Fujifilm makes several other long zooms including a robust 50–140 millimeter f2.8 which would also suit my focal length needs, and allow more light for fast action and dusk/dawn shooting.  It is $1500 new and weighs more than twice as much as the 55-200, attributes that are not particularly interesting to me.  Like my Nikkor 70-200mm, it has sufficient size/weight to require a tripod mount. Thus, for me, it would be likely relegated to shooting from the car. That kind of shooting I tend to do with my heavier Nikon gear.

I still prefer prime lenses, both for their inherent quality and for the discipline they instill in my shooting.  But I can see maintaining a camera bag, with the 2 zoom lenses, and a more SLR-like camera such as an X-T10/20 body. This would be fairly light, and a very easy “grab” when headed out into the outdoors for some impromptu exercise. 

Given the quality of images I have seen these two lenses, such a gear bag would likely spend a lot of time by my side.

 

Your choice of camera often influences the way you use lenses; particularly in the Fujifilm camera universe.  Though the SLR-like bodies such as the XT-2, and XT-20 are very popular, I came into the X series by shooting their rangefinder styled products, and for the most part, continue to do so.

My main interchangeable lens body is an X Pro 2 (which I use along with my X100f). To me, going back to the M series Leica film cameras, rangefinder-type bodies like the X Pro 2 are shot with prime lenses which tend to perform better anyway. Thus my XF zooms have tended to languish at the back of the cabinet.

 Several weeks ago I was traveling to the Adirondacks, and selecting the photo gear that I would bring along.  Years ago I would pack 2 or 3 bodies (Fuji and Nikon), and several bags of lenses.  Maybe because I have been photographing there so long, and perhaps in my dotage, I’m getting a bit lazy. My tendency now is to streamline things a bit with perhaps 1 or 2 small camera bags.  Along with the X100, I will usually bring the X Pro 2 with several prime lenses, perhaps the 14 mm, the 56mm, and a 90 mm.  This works out fairly well given that the X100 has a fixed 23 mm lens.

 

One complaint I have about the XF lenses is that the lens pouches are virtually identical, without any exterior labels to indicate the lens within.  It’s thus easy to grab the wrong lens.  Rather than the 14 mm lens I was looking for, I found that I had pulled out the 18– 55-millimeter zoom which has similar bulk.  I hadn’t used the lens in some time so I thought: What the hell, let’s give it a try with the bigger sensor of the X Pro 2  and see how it holds up from an image quality standpoint.

In the “Dacks” I shot the lens and liked what I saw.  So I left it on the X Pro 2 for the next several weeks after returning home.

In photo workshops when I am teaching beginners, I’m a big proponent of prime lenses.  This is not only because their image quality tends to be superior (especially for the price).  I also think it’s important for people to understand and then characteristics of individual focal lengths to their photography

If they do utilize a zoom, I suggest that they avoid the habit of zooming to frame an image, and instead treat the lens like a collection of primes.  I have had to remind myself to do the same.  With the zoom mounted, I look at the scene and determine what focal length would be desirable in terms of foreground/background relationship and depth of field.  I then choose a focal length.  Putting my eye in the viewfinder.  I can then step backward or forward when possible to adjust the framing. That’s a lot easier than changing lenses constantly.

Another issue I have had with the X Pro 2 is camera shake.  Perhaps I have been spoiled by the very soft leaf shutter of the X100 series.  I find that I get a fair number of images with the X Pro 2 and it’s more robust shutter action, where there has been movement artifact.  The image stabilization in the little 18-55mm is a big help with this, noticeably reducing the problem.

 

I have forgotten how nice the image quality is.  Used as I am to some of the high-quality lenses in the Fujinon line, I am delighted with the look of images shot with this modest lens.  It’s got good contrast and handles the 24-megapixel sensor of the newer cameras with ease.  It’s capable of obtaining lovely detailed 3-dimensional images, although at the 18 mm end, it  is slightly soft until it’s stopped down.  And like all of the XF lenses it has a solid feel and lovely built quality.

In the weeks since returning home, we’ve seen a variety of weather here in Northeastern Pennsylvania, including bitter cold,  then a sudden thaw that led to severe ice damming and flooding on the Susquehanna River in the Wyoming Valley.  The residual of this has been bank ice of a size and volume I’ve never seen before.

Now, in the mountains, a  winter snowpack is finally building, which for us more and more, seems to be a February/March event.

There was even some snow at Nescopeck State Park for their Winterfest event, something we haven’t seen in some time.  It was fun to see the sled dogs finally get to pull their sled.

I’m aware that there are better short zooms in the XF series lineup, including the 16-55mm f2.8, which is said to be very sharp indeed.  Unfortunately is quite a bit larger and heavier (though it is weather resistant) and has no optical stabilization.  And at $1100, it’s significantly more expensive than the $700 18-55.  And there isn’t an image I have shot over the last several weeks that makes me pine for a more exotic lens.  If I need more sharpness, I will go back to the primes.

I forgot how much I like this little lens.  Like the 60 mm f2.4 I wrote about here, I’m moving it to the front of the cabinet.

Every once in a while, perhaps while out shopping, or at a restaurant, I will encounter an old friend, whose life path has drifted out of my particular orbit. After spending some time catching up, I will be reminded of how much I enjoy their company, and will wonder why we didn’t make more of an effort to keep in touch.

In the last several weeks, I feel it had that sort of an experience with a lens. In particular, the Fujinon XF 60 mm f2.4.

This was one of the 3 original prime lenses introduced with the X Pro 1 in 2012. At the time, it was lauded by some is the sharpest of the trio (the 18 mm f 2.8, the 35mm F1.4, were the other 2 lenses).

I remember my initial impressions were that this was a bitingly sharp lens, noticeably more so than my Nikon primes. In fact, the quality of all of these original lenses probably helped pull me from using my Nikon gear, to shooting mainly with Fuji.

But just like with life, newer things come along, in this case, lenses that are faster and newer, and distract me from an old companion. After a time the 60 mm became lost in the back of my photography cabinet.

Several weeks ago while on my way out the door to go hiking, I picked up camera bag with my XT-10 body, which I noticed had no lens mounted on it. I opened a cabinet and on a whim, reached blindly to the back of the shelf, determined to utilize the first Fujifilm lens I grabbed. This turned out to be the 60 mm, which I have basically ignored for many years. I mounted it on the camera and have been shooting ever since.

To remind you, this is a macro lens, the first in the Fujifilm “XF” line. It is fairly diminutive, compared to for instance the 56 mm f.12. It’s nicely built, with not only a fairly deeply recessed small front element but then a rather large metal lens hood. All of this makes it quite resistant to lens flare as the sun’s rays rarely reach the front element.

Though the lens aperture is tighter than many of the other Fujifilm primes, the lens is quite sharp wide open at F2.4. For those of us that focus on landscape imaging, the modest deficit in light gathering is really not much of an impediment when shooting in the daylight hours. This plus its small size may make it preferable to the newer 56mm for shooting while hiking. If only it had stabilization…

On an APS sensor, the lens has a 90 mm equivalent field of view, which makes it ideal for the sort of late summer early fall photography, available now as it allows you to isolate the sporadic displays of autumnal color beginning to erupt at this time of year. It’s also wonderful to have its macro capabilities for close-ups of wildflowers and the other fall forest offerings.

And boy is it sharp! From f2.8 and above, the lens has incredible definition. Out of focus elements look lovely at f2.4-3.5. Mounted on the XT-10 it balances very nicely, though it is a bit long with the lens hood installed. Still an all, it’s very compact package.

One downside of this optic for outdoor use is that given its magnification, it is prone to artifacts from camera shake. I find that using my steel Gitzo monopod, and good shooting technique, I can get acceptably sharp results without a tripod. You just have to be careful.

I did a search on eBay and found there are a lot of these lenses for sale. I suspect that it is a common lens for Fujifilm users to unload. There is a wide range of price’s but it looks like you could acquire a nice used one for between $US200- $400. There is also a broad range of prices for new lenses of between $US300-$650.

Given my experience, I think I’m going to put this lens back into circulation for outdoor shooting, relying more on the 56 mm f1.2 for street, and indoor work.

If you have one in the back of your cabinet, pull it out. I suspect he will find it is indeed like an old friend.

 

 

 

 

 

 Early April in northeastern Pennsylvania is the point where one can realistically hope for the first sporadic signs of spring weather.  Here, temperatures, if we are lucky, are in the mid to high fifties. If it is unusually warm, a few of the maples may begin to bud out. Our predominantly oak forests however, stubbornly resist any show of foliage.  In fact though, is it the oaks that are more prudent; for a limb-breaking snowfall, even now, is not unlikely.

In this climate, people search for any touchstone to mark this season.   For many people in our region, it is the first day of trout season.

Now if you are a fly fisherman, you can fish during a great deal of the calendar year.  Pennsylvania proudly boasts some of the finest fly fishing in the country. Whether we’re talking about the upper Delaware River, The big and little Lehigh Rivers, The northern reaches of the Allegheny River, or the limestone creeks of south-central Pennsylvania, the state is a popular destination for anglers.

There is, however, a second culture of fishing in the state.  It is a culture some would call “put and take”, In other words: people who, unlike the fly fishermen, actually tend to eat the trout they catch.  These are the people that show up in force on the first day of the regular trout season.

 

For instance, located at the nearby Nescopeck State Park; Lake Francis is a 9 acre relatively cold water impoundment, which is traditionally stocked with Brown and Brook trout on the week before the season. Now by early May, on a walk around the lake, you may encounter two or three people with a line in the water. But on opening day Saturday, it is not an exaggeration to say that the fishermen are literally shoulder to shoulder. This is true at many other lakes where trout are stocked.

It is the abundance of hatchery trout that draws them, fish that are perceived as being “easy marks” compare to the wily native Brook Trout.  They readily feed on the most mundane of live bait and even canned corn, which is said to resemble the feed they are given in the hatchery (I’ve even seen fly patterns designed to mimic trout pellets).

Now many of the people there are family groups with children. For them, it is a great day to introduce their kids to the joy of fishing with a high likelihood they may actually catch a trout or two. Others are like friends I grew up with: people for whom having trout in the freezer was a way to extend their food budget. 

But there are trout stocked also in the streams and rivers. Even on that day in April, if one explores a bit, it is possible to find isolated riffle, or pool stocked with the same naive hatchery fish. When I have fished on that day I always gravitated towards solitude.

 If it is like my childhood, despite the crowding, one will find the same people at the same spot on the lake or the stream year-to-year.

They’re there for the fish, the tradition, and hopefully, the first bit of spring.

 

I am a creature of habit. Whether it is merchants, restaurants, vacation spots… etc., I derive comfort in familiarity. It is an impulse I endeavor to resist… not always successfully.

It’s also true in terms of camera gear. For I just bought my fourth version of the Fujifilm X100… the X100F.

It arrived in late March, of the latest iteration of an old photographic friend, the newest camera in the X100 series. I have been shooting it since then, in the somewhat sparse scenery of early Spring.

Over the last several years, this camera line has been the one that I reach for the most. I have been looking over archived raw files in preparation for my upcoming photography exhibit. I couldn’t help but notice that particularly in the last 3 years; my X100 series uploads far exceed those of my other equipment. I have grown very comfortable with the camera’s functioning, the image quality, and the range of focal links offered between the native lenses and the lens adapters.

Given this, I may skip other upgrades, but the newest X100 will always be interesting to me.

 

I have no desire to be repetitious and waste the reader’s time. Therefore if you wish, you can read my reviews of the original X100, the X100s, and the X100t which will serve as a basis for this review. My desire is to discuss what I think are the relevant improvements, and what they mean to my workflow in the Fuji system. There are also websites such as DPReview, and The Imaging Resource that can be a source of feature-by-feature descriptions of this product. My mission here will be to describe the effect those changes have had on this user.

The best way to summarize my reaction to this camera is this: that in terms of image quality, controls and features, it now is almost completely in sync with the X Pro 2. This is very important to me as these cameras are my go-to pairing for weddings and events. I now can shoot the same resolution files and film simulation on the X100 style body that I can on the interchangeable lens X Pro 2. And the relevant controls and menu structure are now roughly the same. This means that I can quickly make intuitive adjustments on either camera without thinking.

First and foremost, the camera in hand feels roughly the same as the previous generations. All of the buttons on the back of the camera have been relocated to the right side which does facilitate their operation while looking through the viewfinder. The camera feels extremely well-built, though weather sealing is still not a feature.

 

I have written here and here about my reactions to the new sensor offered in the later Fujifilm cameras. The resolution increase from 16 megapixels to 24 is not trivial, but also not overwhelming. It certainly means you can crop more aggressively, which is certainly helpful on the fixed lens X 100, and the images do seem to have improved “per-pixel” sharpness. In particular, because of my exhibit, I’ve been doing a lot of printing. I remain extremely impressed with the amount of detail on even 17-22 inch prints that even the earlier 16mp Trans-X megapixels can produce without straining. Obviously, the new sensor will be better yet.

What is nice about the Fuji’s in general, and the X100F, in particular, is that all this resolution is very usable. Again in reference to my upcoming exhibit, I had identified an image shot with my D800E for inclusion. This is a 36mp DSLR, and given this, I have always been aware that camera technique must be perfect in order to avoid shake artifact, (which is much more evident the higher the resolution). For this reason, I shot this image from a stout Gitzo tripod, and with a remote release.

When I printed the image, however, I discovered that there was camera shake, which essentially ruined the image for me. Undoubtedly this came from the impact of the mirror as it swung out of the way of the sensor. I shoot all the time with the mirrorless Fuji bodies, and particularly X100, on a much smaller tripod, and essentially never have this problem. Because of its leaf shutter, the X100 is particularly forgiving in this regard. So bring on the resolution!

 

I remain underwhelmed with the purported improvements in high-ISO performance for the new sensor noted on some other websites, but on the other hand, I don’t really do formal tests on this. I was already pretty darn happy with the earlier cameras. It’s certainly no worse than the earlier chip and may be a smidge better. I’m certainly content continuing to use ISO 6400 as the upper limit on my auto ISO setting.

Then there is the matter of the mechanical ISO dial which it also has in common with the X Pro 2. Many people were unhappy with this feature when it first appeared. From my style of shooting, however, it is very convenient. So good are the trans X sensors that I generally shoot in auto ISO without much worry. But if, for instance, I’m shooting moving water, or daytime fill flash, the ISO dial makes it easy to quickly switch to ISO 200, and then switch back when I’m done.

 

Several improvements do really alter the relationship between the cameras. The X 100F now uses the same battery as all of the other Fuji bodies. This really simplifies keeping a good collection of batteries charged and ready to go, it also means when I change camera bags, I don’t have to worry about which type of extra battery I have stowed there. Also, since the X100 series has an onboard USB charging, in a pinch it can charge batteries to be used on my other Fuji bodies. The battery indicator apparently now displays a more accurate representation of the percentage of power remaining. Oh, and hopefully battery life will be longer, though this was never really a problem for me.

I’m a big fan of the Acros black and white film simulation, which given the new sensor and processor, is now finally available on the X100 series. I like the fact that I can set the film simulation, but shoot the camera in RAW alone, but still see the film simulation in the viewfinder. I later apply the film simulation in post processing, as it now is available in Adobe Camera Raw.

 

Then there is the focus point joystick, which again appeared in the X Pro 2. Now that it’s available on the X100, I feel as though I can begin relying on it. For those of you who unfamiliar with the feature, it allows direct access to focus point adjustment without first pressing any other buttons. It thus frees up a programmable button on the camera for other functions. It is a feature that is long overdue.

Another really likable improvement in the camera is its ability to recognize when one of a new series of lens adapters is mounted. With the older cameras, I was forever forgetting to change this adjustment manually, which theoretically results in some distortion in the image. I did acquire the 50mm field of view TCL X100 II (the adapter I most often use). The old version sold on eBay for surprisingly good money, which is heartening.

 

 

Every time there is a new version of a particular model in the Fujifilm lineup, auto focus has been improved. Before I sold it, I compared the “T” model to its replacement. There did seem to be a slight improvement in focusing speed, particularly in low contrast areas, but again these cameras of gotten good enough that for my style of shooting such improvements are not that impactful.

There is an increase in the number of focus points from 49 in the X100 T, to 325 and the newer camera. This is the same as on the X Pro 2.There is a little wider screen coverage, but in general, to me, the larger number of points seems to increase the amount of time it takes me to move to the right part of the sensor. I tend to keep these cameras set to show a lower number of points in the viewfinder.

 

I’m sure as time goes on, I will have additional comments as I gain more experience with this instrument. Overall I am quite content. In most ways, this is a superior camera than its predecessor (which happily also sold for decent money on eBay). Who knows what is yet to come in future firmware upgrades.

Yes, I am definitely a creature of habit.

But if you find something that works, why not stick with it?

 

It starts the way it always does. In December, I check the Penn State schedule for spring break. Given that our daughter, and now our son have been students there over the last 6 years; that week will be our family ski trip, generally the first full week of March. We will spend it in Lake Placid.

I have had almost no regrets over the years. The Adirondacks in early March typically feature abundant snow cover, and moderate temperatures, and we generally we have a wonderful winter vacation.

2016, however, broke the mold, Last year in March, Lake Placid for the first time in 25 years was snowless. Though Whiteface, the downhill resort was open, given my deteriorating knee, it was of little use to me. My wife and son skied when it wasn’t raining. I did a little hiking, but a lot of eating and drinking. At the end, it didn’t seem like a good entertainment value for the long drive required to get there and return. Not to worry I thought; this year is clearly a fluke.

 

Winter 2017 seemed different. Though in Pennsylvania, the winter had been mild with minimal snow, the Adirondacks were far enough north for most of the precipitation to be white. I sat at my desk at work, scanning Facebook posts by my Lake Placid friends describing their latest winter adventures. In mid-February with my vacation weeks away, the backcountry ski conditions report was positively giddy with the wonderful snowpack that had accumulated. And, I had a brand new knee.

Then came the warmth, and several strong rain events. By late February, the giddy was gone, along with the snow. Our vacation loomed.

We tried to remain optimistic. But when the Friday Lake Placid forecast was in (we were set to leave Saturday) it called for a bitterly cold weekend, followed by three days of fifty-degree weather with rain. Our weather in Pa, though similar would be 5-10 degrees warmer, and with less precipitation.

After consulting with my wife, we threw in the towel, and unpacked.

My kid (and several friends) however, had purchased advance ski tickets that were nonrefundable. Twenty-two-year-olds have no issue with driving 6 hours for 2 days of frigid skiing. So we gave them the keys.

Now I don’t really have a problem with staying home. It gives me time to work around the house when the weather was bad, and at least hike when the weather is good. It did feel like we needed to do go somewhere. Given the 50-60 degree temps in the middle of the week (3/5-7), it occurred to me that we ought to go south, to where we might find even more spring-like conditions.

We decided to travel during the balmy mid-week weather, first to the inner harbor at Baltimore for a night and then drive up US 95 to stay at a 1780s hotel in our old neighborhood in Center City Philadelphia.

Baltimore was lovely, but quiet, given the time of year. I had brought along both my X Pro 2 (with the 18-55mm zoom in the bag, but with the 56mm f1.2 mounted). I also brought along my X100t with the 2 lens converters.  For some reason, I ended up shooting only the X100, mainly with the native lens or the teleconverter. This is not an uncommon circumstance, and the reason my X100f is on order. I shot in raw/ monochrome jpeg, and I really liked the images I was seeing in the LCD.

We had drinks at Fells Point, and seafood at the Rusty Scupper, a restaurant I had in the past generally avoided as a tourist trap but found was quite good. The evening and night images I acquired looked really promising. The following day we took in the highly recommended National Aquarium, before loading up for the 2-hour drive northeast to “Philly”.

My wife Cathy and I went to medical school there and later did our respective fellowships in the city.  For a time we lived at Tenth and Spruce, 4-5 blocks from the lovely Morris Hotel where we stayed. This location is central to much of Philly’s interesting neighborhoods, including Jeweler’s Row, the Independence Mall area, the Italian Market, and the “Old City” area near to the river. I wandered past my medical school. Formerly, it was named for the author of the Declaration of Independence. It now bears the name of a clothier (a very rich clothier). I ate a cheesesteak (onions, cheese whiz, mushrooms). And I shot a fair number of images. In the morning we had a lovely spring breakfast at an outdoor café on Washington Square.

Sometime on Thursday morning I filled the SD card I had been shooting, and changed it out. As is my practice over many years, I place it upside down in its case to indicate that it is full, and then placed it (along with spent batteries) at the bottom of my camera bag where I will notice them later. I shot a few more images on the new card before starting the trip for home.

Some of you may be noticing at this point the relative paucity of images from Baltimore and Philly in this article. Where are they? Well, I wish I knew. For when I returned home, I could not find the spent card with all of my files. Perhaps it fell out of my bag at some point later in the morning when I walked around town. Maybe it fell out in our room.

This is the first time this has happened to me and it is quite disturbing. I am hoping that perhaps the hotel cleaning staff will come upon it, but I am not hopeful.

Back in the mountains, as I write this it is 12 degrees. Roughly 8 inches of snow fell here yesterday, with the promise of a significant Nor’easter later this week. My road is again snow-covered and undoubtedly re-freezing. Damn. Maybe by next weekend, we will be skiing again. Oh well, such is March on the Pocono plateau.

 

Addendum: We did indeed have a nor’easter.  On March 14 and 15th, my little community in the mountains saw accumulations of 32 inches of new snow, breaking a previous 24-hour snow total, that was originally set in 1993.  The Valley cities had nearly as much.  It remained cold after the storm.

Needless to say, there is once again cross-country skiing on the Pocono plateau.

 

I gotta admit, I’m ready for spring.

 

There is a different and wonderful culture in the Adirondacks. It is one where outdoor activities feature prominently.  Events such as the Wooden Ski Race, and Full Moon Madness that I have described elsewhere on this site, as well as the Saranac Winter Festival, all display a physicality and an embrace of the season that is lacking for instance, in my Pennsylvania hometown.

On a recent trip to Lake Placid, I attended one of my favorites; namely the Broomball tournament, held at The Cottage, a waterside/ pub restaurant, that is part of the spectacular Mirror Lake Inn; a luxury resort hotel in the village.

The Cottage is the pub and informal dining venue for the resort. In summer can be very pleasant to paddle a kayak or canoe to the restaurant’s dock , and stop for a bite of lunch.

For much of the winter, however, with Mirror Lake firmly frozen, an area of the ice is plowed behind the restaurant, and an informal hockey rink is set up. Then in January, the restaurant sponsors a tournament for the somewhat arcane sport, which is apparently the winter version of softball for many people.

Broomball, is a sort of proto hockey. The rules are similar, but the equipment, at least in the case of the local variety is much less sophisticated. As I understand it was often played in tennis shoes, though there is actually a specialized shoe to wear which gives more friction to the icy surface. In the Lake Placid varient, the predominant “stick”, was an actual broom, with the bottom cut off about halfway up, then wrapped in duct tape. There is an actual broomball that is used, a little bigger than a softball.

While some of the teams, had actual matching hockey Jerseys (and apparently padding), most people played in heavy outdoor clothing sometimes with whimsical touches. Everyone plays with some sort of helmet. In this multisport town, I saw players sporting rock climber’s helmets, skiing helmets, and even hockey helmets. Though it was quite mild (high 20s F) this year, I have seen it proceed enthusiastically with temperatures in the minus teens.

Now to be sure, Broomball, apparently in Canada, and parts of the US, is a serious sport with a governing body, and specialized equipment, and national tournaments. Not so much in Lake Placid. Though obviously a lot of serious competitive athletics goes on in town, this one is not so intense. Like many activities in the North Country, my impression over the years from this event, it is that it is first and foremost an opportunity to socialize and be convivial on a dark cold evening in January. It is only secondarily a competition.

The large crowd gathers both in the restaurant, where windows allow the games to be followed, or down on the ice around a warming fire built for the occasion. As the festivities continue, the bar gets rowdy, but never unpleasantly so. Many of the older folks, who prudently no longer play, share great memories of their own time on the ice.

It is one of the small events, that over the year makes Lake Placid a truly unique placed to visit.