We have now reached week 9 of a societal aberration that was supposed to last for 2. The lobster pot is starting to simmer, while we accept completely illogical, and capricious prohibitions, that would’ve been unthinkable 4 months ago.

Some retailers are allowed to be open, while other similar businesses are forced to remain closed because of an arbitrary process of waivers, granted by the state. The practice of religion is suppressed as ruthlessly as it might be in communist China. You can still obtain an abortion, but cannot schedule a procedure to alleviate the severe pain in your arthritic knee.  

Despite the improvement in your statistics, if you live in the wrong city or county, there is no end in sight.  Businesses both large and small are running out of money and calling it quits. And because of this, jobs are disappearing.

And in most cases where these restrictions are imposed, they are edicts of the executive, who dismiss any action, even at this late date, from the state representative bodies. In Pennsylvania this means that a lame-duck governor, and his ethically dubious health secretary, are acting without any voter accountability. They have rejected any input from the legislature (formerly called laws). They are overseeing the destruction of the state economy, perhaps with an eye towards the upcoming presidential election.

Let’s talk about masks. There is no consistent data on the use of masks. There are a lot of statistics bandied about, but little hard science, particularly in the face of the vast variety of face ware people are using.

Some justifications I have read include the idea that since countries like Taiwan and South Korea, have widespread usage, and they have done relatively well during this outbreak, then masks must be useful. Not really hard data from my point of view.

According to the CDC, on one hand, if a sick and a well person both have masks on, the transmission of virus will be very low. One study from the University of Hong Kong, studied this in hamsters.

Before you indulge yourself with the unbearably cute image of hamsters with teeny -tiny masks, it turns out that the study involved covering the hamster cages with mask-like fabrics. It did show that transmission of coronavirus was the lowest with both infected and uninfected hamster cages covered,

This is interesting I suppose, but it is not really directly comparable to our situation.

I wear a surgical-type mask in places where it is requested, mainly as a courtesy to others. The right mask can protect those that you encounter. Unless you’re wearing an N95 mask or better, it is unlikely to protect you. Many of the facial adornments I see in public are probably useless.

I can’t find any data to suggest wearing a mask in the out-of-doors protects anybody if people keep a reasonable separation.

I suspect we are all much too cavalier about these masks anyway for them to be useful. According to the WHO, we need to avoid touching them (yea right), and each time we do, we need to wash our hands once again. I’m sure we’re all doing that. They also worry that wearing a mask may cause some people to ignore social distancing. By observation, this seems to be true.

 I finally received the fancy masks I had ordered so many weeks ago through Amazon. This was a 5 pack of black masks said to be washable. It turns that these are made of a rubberlike plastic, with the mask itself composed of a foam-type material. Now the foam seems fairly dense, but I suspect not enough to filter micron-level droplets.

Unfortunately, the manufacturer included a button-like one-way exhalation valve on the right side of the mask. This conveniently allows me to share my potentially viral-laden droplets with others. I have relegated these masks for workshop duty, but I still see people wearing them.

I guess the message here, is that I hope we don’t get too hung up on facial coverings, as I suspect they are of limited value.

We continue to be told that this virus is likely to be persistent in the environment. In fact it is this theory that is being used to prolong our isolation.

It can be argued that the fact of viral persistence should lead to the opposite conclusion. If we are stuck with this coronavirus, we will not be able to avoid it forever by staying at home and keeping businesses and schools closed. The long-term cultural and psychological effects of this would be devastating.

Oh yea, and it will destroy the economy.

We are going to have to protect our most vulnerable, but the rest of us will need to swallow hard and understand that as the denominator increases with increased testing, that the mortality rate in most locales for relatively healthy people younger than 65, is quite low. The overall case fatality rate in Luzerne County for instance is about half a percent. At one point, two-thirds of those came out of nursing facilities.

I don’t want anyone else to die. But the state, national, and global economy has to survive if we’re to avoid a civilization level disaster.

I say this with the knowledge that in the event of a second wave, given my profession, I may be drawn into the middle of it.

We have endured a difficult spring, caused by both the pandemic and some persistently cold, crappy weather that made things even less pleasant. This weekend however is Memorial Day, our traditional beginning of summer. In the Northeastern US it is predicted to finally be warm and dry. I suspect people may find that the joys of the season may beguile them from their isolation.

I will likely be one of them.

Come see my new mask.

I love buying new camera gear.  It is a wonderful pleasure to unbox an instrument that will help to facilitate new opportunities in photography.  Increasingly, however, it is difficult to improve upon current levels of technology, which even in modestly priced camera equipment, allows users to capture beautiful imagery in a wide range of settings.

Fujifilm recently teased the imminent release of the X Pro 3, the third version of their now-iconic range finder style camera.  As I have owned and used both of the previous X Pro versions, I was eager to see what improvements Fujifilm might have in store to tempt me into the newest product.  The details that have been released, leave me and with more questions than answers.

We know some details about the camera.  We know that rather than a body made from magnesium, the X Pro 3’s structure is fashioned from titanium, which is stronger, lighter, and more damage-resistant than previous bodies.

There are several new finishes available on the camera which also enhance the resistance to scratches and scuffs.

There is, as almost always with a new release, an improvement to the hybrid viewfinder which is been a signature feature of this line.  Apparently, the electronic viewfinder has a higher resolution, likely a faster refresh rate, and more sophisticated color reproduction.

It appears that the four-way controller on the X Pro 2 has been eliminated, as Fujifilm has done with several earlier releases.  I find for instance, on my XE3, that the joystick is a perfectly reasonable substitute.

Most significantly, we have an unusual change to the rear LCD.  There are actually two rear LCDs now.  The one on the back of the camera is a compact LCD similar to those seen on the top panel of the medium format cameras, as well as the XH 1.  This is mainly to show things like camera settings up.  It can also be set up to display what would have been in the past the end panel of a film box appropriate to the film simulation one has selected.  This will certainly bring back memories to those of us who shot in the film era. 

The actual view screen is hidden in normal use but can be accessed as a hinged panel which one folds down allowing for waist-level photography.  It does not otherwise articulate, however.

What up has not yet been revealed are details about things like Autofocus, video capability, and the sensor though the latter is presumed to be the 28-megapixel Trans X sensor found in the XT3.  At least in that camera, the sensor was not a clear improvement over the previous 24-megapixel sensor, particularly in aspects such as high ISO capability for resolution.

Again were lacking a lot of detail here, but once again I find myself thinking that this upgraded model does not feel like a compelling purchase.

First off, I tend to use the X Pro cameras for weddings and other event photography.  The current body has never felt particularly heavy or burdensome, in fact, it has a very solid well-built feel that perhaps would be lost if the titanium version weighs significantly less.  Also, titanium is quite expensive. Just what will this mean for the retail price of the X Pro 3 remains to be seen.

The rear LCD arrangement I think is a lost opportunity.  I actually like the idea of the compact LCD display new camera settings, and sentimentally, the box label styled indicator of the film simulation.  This is apparently Fujifilm’s little manipulation to keep us looking through the viewfinder and to minimize “chimping”, emphasizing traditional photography. I’m not sure that’s any of their business.

In my camera cabinet, I have a relic of the past, a Panasonic GH1.  I keep it because it has an interesting color signature, and is capable of decent video.  It has my favorite rear LCD of all time, a viewfinder capable of either being displayed on the back of the camera, viewed from above or below, or even from the front of the camera. 

I especially like that it can be folded so the rear viewfinder is against the camera body and protected from scratches.  To me, this style of viewfinder,  perhaps with the small LCD on the opposite side,  would have been a more interesting addition to the new camera It would allow users to work however they wished, rather than having their workflow dictated by Fujifilm.

This new design however, is not that disruptive to my usual workflow as I tend to shoot through the viewfinder. It will likely be a problem for other potential buyers.  It seems like an unforced error.

Fujifilm like everyone else struggles with the problem of upgrading current models that are already excellent.  We do not have all the details of this new camera, but so far I’m not sure I’m going to upgrade my X Pro 2 which is a joy to shoot and is capable of capturing beautiful imagery.

I’d like to be wrong, however. 

I hate to miss an unboxing.

Recently, I made the decision to reduce my work hours, in the hopes of traveling more and indulging my other interests. I now have a benign, and more flexible work-life that I hope will allow me to continue to be happy and productive into my 70s.

Some of the travel I’ve been doing involves fairly short overnight trips to different parts of the region.  I like to pack light.  I generally take two camera bodies, one my X100 F , and an interchangeable lens Fuji like the XE-3, with several lenses.  All this fits into my Think Tank Retrospective 7 bag, which can also accommodate a 10-inch tablet.  The problem has been, finding the right tablet.    

As I have an aversion to anything Apple, I have relied on Android-based devices. Though usable, Android is not really compatible with Photoshop, or other photo editing programs that I generally use. It also can be cumbersome for general computing tasks. My ideal device seemed like a small (10-12 inch) Windows laptop for quick trips.

I learned perhaps 6 months ago, about the Windows Surface Go, a smaller version of the Windows Surface tablets that have been well received by the PC community. I promptly ordered one and have been using it for the last several months.

I’ve been exposed to the Microsoft Surface Line, through my computer engineer son who has been using one for several years.  They tend to be nicely designed and seem rather rugged.

The Surface G is similar in build quality with a sturdy metal body, and a very useful “kickstand” built into the device so that it can stand upright.  What I would call a mandatory option is the slick keyboard/cover which rather elegantly attaches by magnets to the tablet.  The overall package is slim and compact, more so for instance than my previous Asus tablet/keypad combinations.  I can carry it with all accessories, including a mouse and card reader, in a small tablet case.

It has a very nice touch pad screen though with a somewhat thick bezel, likely to facilitate holding without activating the screen.  It has a typical Surface magnetic charge port, a slot for the micro sd card,  and a USB C port, for connecting peripherals. It can also charge via USB which is rather handy.   

A nice touch is dual speakers on the wide axis of the device which sound surprisingly good.

All of these features are nice, but as I’m processing Fujifilm raw files, processing power, as well as screen quality,   is rather important.

The Surface Go that I acquired is the higher performance of the two models.  It comes with an Intel Pentium Gold 4415Y processor, 8 GB of ram and 128 GB Of storage.  This is much less robust than the typical I series Intel chip in the bigger Surface devices. 

The tablet sports a 10 inch 1800X1200 touch screen, with a bit less resolution than the typical ipad of the same size.  Nonetheless, it is rather bright, and to my eye shows excellent detail.  I was able to color calibrate it rather easily. The tablet uses an Intel HD Graphics 615 card.

I am obviously not in the business of testing computer equipment, but the more professional reviews I read suggest that the overall the graphics performance of this computer along with the color gamut are well above average for inexpensive laptop type devices.

A welcome feature of the device is the “Windows Hello” which uses facial recognition to log you in. I wish my other computers would support this.

So how does it perform? I’ve installed a number of photo processing programs including Adobe Lightroom, Irident Transformer, and the free version of Capture One for Fujifilm. All of them run reasonably well but definitely slower than the i7 processors that run my big laptop and desktop computers.  Raw file conversion is a little slow but not obnoxious, and faster than on my previous Asus transformer (on which I could only run Photo mate).

This is not really a computer for editing bulk files or creating panoramas, but it works perfectly well to edit and preview individual images on the road. You will need to buy a USB C to USB 3 hub to use your card readers and other peripherals.

Obviously, the small screen is less than optimal for running photo editing software, the obvious price for portability

It is really helpful to have a Windows-based computer that is so portable that it just isn’t a problem to stick it in your camera bag so you can review your files for instance at a breakfast restaurant after a morning in the field.

One criticism of this device has been battery life.  Those people who test these devices professionally have noted that the battery life is somewhat below average for tablets.  There is some drain over time when the device is not in use, but overall I find it not a problem.  The included charger is rather small, fits easily in the bag, and quickly connects magnetically to the device.  The USB C port means I can even charge the device in my car as I drive from location to location.  I have noted however that you need a fairly high current charger to replenish the battery.

Overall, I’m very pleased with the Surface Go. Sure its screen is small, and you have to remember to keep it charged. Nevertheless, it feels like a full-featured Windows PC that I can open on a bar or a lunch counter and not feel awkward.

Pretty much, what I’ve been looking for.

I haven’t posted in a while. This is mainly because WordPress decided that they would completely change the functioning of the blog editor, and it took my rapidly aging brain some time to figure it out. Well, in the immortal words of Jack Torrance: “I’m Baaaaaaaaaack…”

I don’t know whether it’s the crappy photography conditions we’ve had, or my general satisfaction with the capabilities of my current equipment. It is even remotely possible, that finally, maturity and fiscal responsibility has settled on me perhaps 30 years late. For whatever reason I no longer yearn for the newest and best.

I no longer scour the pages of Dpreview for the latest equipment reviews.  I’ve stopped visiting the various Fujifilm forums. I dropped my subscriptions to Reid Reviews and the Luminous Landscape (though in the case of the latter site, it’s not really the same since Michael Reichmann died).

Nonetheless, new Fujifilm gear is likely in the pipeline, and probably not far from introduction. I’m not talking about The XT or XH lines, which have obviously been updated more recently. I’m talking about the cameras that I prefer to shoot, namely the X100 and X Pro lines. Both I think will be due soon for an update. What really bothers me, is that I’m not sure that I care.

What is happening???????

I currently shoot an X100F and an X Pro 2. In the case of the X100 series, I have owned all of the various versions starting with the original X100. It seemed to me that each time a new model came out, there was a fairly compelling reason to update the camera. This was also true of the X Pro 1 to X Pro 2 evolution. I am truly satisfied with my current equipment which has benefited from the constant evolution and improvement not only in the new models, but with subsequent firmware upgrades.

So what new features/ capabilities would an X100 “G” or an X Pro 3 need to offer in order to move up once again. I think part of the problem, is that I’m not a particularly demanding shooter. I’m not generally shooting sports, or wildlife. Most of the landscape I do is fairly deliberate. so what new features/ capabilities would cause me to upgrade? I suspect the next camera up will be the X100 series, so this will be where I focus in this article.

So, what might Fujifilm do to entice X100F owners to upgrade?

Well, there is the new sensor introduced in the XT3. At 28 megapixels there is slightly more resolution than the X100F’s 24 megapixels. High ISO performance is said to be the same or slightly worse than the previous sensor, with perhaps a gain in dynamic range, partly from the new lower base ISO. The latter feature would be useful, to slow shutter speeds for moving water, but overall, to me,the new sensor is not a huge draw.

How about weatherproofing? In a fixed lens camera, one would think this is easier to accomplish than in an interchangeable lens body. My sense is that it wouldn’t add much in the way of weight or bulk, and would be a nice addition to a camera used extensively for street photography. On the other hand, I use my cameras all the time in wet weather. Exercising some caution, I’ve never really had a problem with the X100 series.

A new lens might be interesting. The current 23mm f2.0 lens has been unchanged since the X100 introduction in 2011. It is a lovely optic, but it is known to be soft wide-open particularly close up. I would be interested, and an upgrade with a new lens, perhaps F1.8.  A deal breaker however, would a lack of compatability with the two lens converters Fuji currently offers ( for which  I spent good money on and use all the time).

They could improve the video performance, but I suspect, most X100 series users wouldn’t really care. Unless there have been big strides in technology, I don’t think there is adequate heat dissipation capacity in the small X100 frame for 4K (It’s borderline in the larger X Pro 2). You can always buy an XT3 if you want to shoot “Movin’ pitchures”.

Lens stabilization is always a welcome feature in a camera body. Given the size constraints with this line, I suspect it’s not possible to add it without increasing bulk. Ditto dual Card slots, or a separate memory card door like the X Pro 2

Better autofocus which is always claimed for upgraded cameras would also be useful, but I am relatively happy with the current performance of the “F”.

In short, because we’ve already had a look at the new sensor, the prospects for the upgraded X100/X Pro series aren’t very compelling from my limited viewpoint. The improvements that were so lauded in the XT3
(video and tracking autofocus) are not really that germane to these two camera series (at least in my hands).

I guess time will tell.

These are the images from the 2011-2012 John Heinz, Allied Rehabilitation Calander.which we produce each year to benefit the pediatric rehabilitation programs at both campuses.

This is the third year  for this publication, for which I am honored to supply the photographs. I thought it might  be interesting to offer more information on the images that were ultimately chosen for this year’s calendar as well as the equipment used to acquire them. I hope it adds to the enjoyment for those who of you who have one  hanging on your wall. If not, you can purchase one here.

Cover: White Horse at Hillside

Panasonic Lumix G1, Lumix 14-45 f3.5

It’s no coincidence that our cover images have tended to be
shot at this unique location.

 The Lands at Hillside is a regional treasure, a non-for-profit organization whose mission is to preserve one of the most beautiful and historic farm properties in
Northeastern Pennsylvania: the historic Conyngham farm on Hillside road in Dallas Pennsylvania. The farm as currently run promotes sustainable agricultural practices, with grass-fed cows producing milk free of supplemental hormones. This milk can be purchased, along with many other natural food and craft items, at a retail outlet on the premises.

The farm also serves an educational site, where children and adults can be introduced to the dairy industry and milk production, as well as environmental issues. It is my honor to serve on the Board of Directors of this fine institution.

The image itself was captured in mid-February of 2010. I
recall hoping to photograph the animal out in the field, against a snowy
backdrop. However, a charming if frustrating characteristic of the species is
curiosity. Once a horse senses your presence, they invariably have to
investigate, a behavior that has spoiled many potential pastoral landscape
photos over the years. I do think however, that in this case,  the image captures nicely,
this element of his personality.

January: Winter Scene, Bear Creek Lake

Nikon D2x, Nikkor 17-35 f2.8

Bear Creek Village is a wonderful and historic summer resort community built around an impoundment at the confluence of several streams at the base of the Pocono Plateau.
The village and its surroundings are very picturesque and I often find
myself shooting there when conditions are right.

This image was captured in January of 2008 after a six-inch
snowfall freshened the appearance of the existing snowpack in our region.

The D2x combined with the excellent  Nikkor 17-35mm f2.8 lens, allows
impressive depth of field and detail to be revealed.

February: Hemlock Temple

Nikon D7000, Nikkor 16-85 f3.5

When most people think of Rickett’s Glen State Park, they  tend to think of
the Falls Trail, and the multiple beautiful waterfalls along the way. There is
however another area in the park that I love to visit. On the south side of route 118, beyond Adams Falls, is an area known as the Hemlock Temple, an example of a
true old growth stand of White pines and Hemlock.

Though not quite as impressive as “Forest Cathedral” at Cooks Forest State Park in western Pennsylvania, it is beautiful nonetheless, with huge conifers, some of which were adolescents when Columbus reached our shores.

On that day last February, I was snow shoeing among those
stately giants. The snowpack was deep and the trail unpacked, as it is not well
visited in the winter. It was a bit of a struggle to explore.

I remember shooting this image the lens stabilized on the
crook of two crossed ski poles to dampen the effects of a bounding heartbeat.
It seemed to have worked.

March: Barn at Herrick’s Corners

Fujifilm S3Pro, Tokina ATX 28-80 f2.8

March in our part of the Northeastern
US is for me one of the most challenging photographic months.

Winter is fading leaving behind a landscape scarred by
snowplows and cinders. Nothing much will bloom until April. Opportunities for
shooting landscapes are slim.

March can also be a snowy month.  Now I like snow, but by St Patrick’s Day,
most people want it to just go away. Those people probably include those of you who buy this calendar. So I usually try to find snowless images.

Given the lack of action in the natural world, I find myself
shooting a lot of images with barns and buildings in early spring.

This particular image was shot near the Elk Mountain
ski resort in Late March of 2006.

I like the collection of cars and farm equipment in the
field which I suspect remains there to this very day.

You can tell it’s late in the month by the slight red blush of the maple trees in the background as their buds swell in preparation for the warmer times coming.

April: Stone Wall, Lackawanna State Park

Nikon D2x, Nikkor 16-85mm f3.5

By April, particularly late April, things are starting to
happen. Buds are opening, trees and flowers blooming.  In late April of 2008, I visited Lackawanna State Park. This is a nice “day use”
park with a number of nice visuals. I was particularly taken by the intricate network of
stone walls that exist throughout the park.

I was drawn to this scene in particular by the sunbeam that
broke through a gap in the hemlocks to illuminate the spot.  I left the subtle sun flare in the image for the final version (it’s 2/3 of the way to the right, on the very bottom of the photo).  I think it adds context to the image.

May: Spring Blooms in Butler Township

Panasonic Lumix GH1, Lumix 14-45 f3.5

This spring seemed to take a long time to be fully realized.
April was wet and cold seemingly suppressing the “leaf out” until much later
than usual. In early May, we finally had a period of warm clear weather and the
foliage erupted with what seemed to be pent-up energy.

This image was shot near my office in Drums, after work was concluded for the day. The blooms to me seemed to be bursting out like fireworks, and I remember feeling grateful for the warm sun on my face, and for the thought that spring had finally, really arrived. It was featured in this article on the site.

June: Early Summer Corn, Hamlin

Fujifilm S5 Pro, Nikkor 16-85mm f3.5

I found this scene in late June 2008, returning from Goose
Pond Boy Scout camp, having just dropped off my son for a week with his troop.

I remember driving past, and observing the farmer, cultivating his hilly fields. By the
time I stopped and set up he was driving downhill, which didn’t seem as
aesthetic. I waited until he turned around, and proceeded uphill again, before
tripping the shutter.

By the way, note once again, the use of the Nikkor 16-85mm
f3.5 on another Nikon mount DX sensored camera. This is a versatile, high
quality lens with image stabilization and crisp optics. It is a light,
relatively inexpensive lens that I find really useful. If you’re a Nikon DX
shooter, add it to your kit. You won’t regret it.

July: Kayaks on the Susquehanna

Olympus E 510, Zuiko 14-42mm f3.5

Some days and events remind me that life is wonderful.

In this case, it was a July Saturday in 2007 when my son Gus and I attended the annual river trip sponsored by the North Branch Land Trust. It was a wonderful event. We entered the river near Wysox, and “put out” at Laceyville. It was a great day. It is easy to forget what a wonderful resource is  the Northern Susquehanna.

During the 4 hour river trip, we saw Bald Eagles, Blue Heron
rookeries and scenery gorgeous at a level that we don’t often connect with our
region.

I met a large number of friendly people.

I took this image at the lunch break when everyone “put in” on
the river bank. I was struck by the beautiful background and the brightly
colored kayaks in the foreground. The use of a circular polarizer on the lens really enhances the colors of the boats, the foliage, and the sky.

August: Monarch and Goldenrod.

Nikon D700, Nikkor 85mm f1.8

This was the scene on the Farmstead Trail at Nescopeck State Park which is essentially in my neighborhood.

It was a sunny late August day, and I decided to play around
photographically by limiting myself to the D 700 with a single prime lens. In
this case, I chose the Nikkor 85mm f1.8. I knew that the lens’ sharpness, and its ability to produce a shallow depth of field, would be major optical features to utilize.

I was walking in the middle of a field of goldenrod when I
spotted the Monarch wafting from cluster to cluster of the bright yellow
blooms.

To shoot this butterfly, I had to stalk him a bit, as he didn’t
seem to want to cooperate. Finally he landed near enough to me that I was able to frame
this image.

It was ultimately featured in an article on this blog called
“Eighty five millimeters”, which discussed shooting with a single focal length lens.

September: Black Eyed Susans at Hillside

Panasonic GH1, Lumix 20mm f1.7

Once again The Lands at Hillside are the subject of
an image, in this case, take at the rear entrance to “The Cottage” a gorgeous
late 19^th century summer “cottage” on the property that is
undergoing restoration.

The home has three stories, beautiful common rooms, multiple
guest rooms, original servants quarters, and a newly installed commercial
kitchen. It is truly spectacular facility, and is fast becoming a popular choice for weddings and other gatherings .

The small sensored GH1 normally isn’t the best choice for
shallow depth of field, but the Lumix 20mm lens I think pulls it off nicely
here.

October: Falls at Nay Aug Park

Nikon D700, Tokina 28-85mm f2.8

Nay Aug Park holds a lot of memories for me. Located on the eastern edge of Scranton
it has nice mix of facilities, including a pool complex, pavilions, and picnic areas.

There is also a trail that leads from the park down into a
gorge through which flows the aptly
named Roaring Brook. There is large waterfall with a deep splash basin
where generations of Scrantonians gathered their nerve to dive from the rocky
platforms above.

When we were students at the University of Scranton,
my wife and I often walked there in the evenings after class.

This image was captured from a tripod on observation
platform overlooking the falls in October of 2011. Note the lack of reds in the fall foliage,
the probable result of a fungus that particularly affected the maples, causing
their normally crimson leaves to “brown out”. It is said to be the result of the very wet summer and fall we have experienced this year. You can see the vertical version of this image in the article at the link.

November: Train Station at Hunlock’s Creek

Panasonic Lumix GH1, Lumix 45-200mm f4.0

November, like March can be tough for photographers. In most
cases, around these parts, the foliage is gone and the scenery bland, if not
dreary. One needs to find either foliage that changes later in the season, or
a locale where the season is delayed. In this case I chose the latter tactic.

Last November, I took a drive along the Susquehanna River
south to Berwick, thinking that the since the river flows at the lowest
altitude in the region, I might have some luck with late fall color.

Driving down route 11 I have often noticed what I understand
to be an old abandoned train station.  I pulled over and set up a tripod. I liked this angle in particular, emphasizing the buildings unusual “pagoda” architecture, and the clearly late fall look of the sycamores and maples. I used a telephoto focal length so that the trees
behind the building would be moved closer to the foreground.

December: Christmas Farm

Nikon D700, Tokina 28-80mm f2.8

Although most of these images are shot in the course of day–to-day shooting, there are definitely times when I set out to capture an image depicting a particular month or season, for use in this publication, . December, for instance is definitely a time when I  often shoot specifically for the calendar. I was thus pleased back in December of 2009 to come upon this scene, which to me evokes a sort of Norman Rockwell feel.

Now, photographing  people’s properties is legal from a public road.
I am very careful not to trespass. If I have no permission from the owner,
I try to shoot scenes that only involve what a passerby might see driving
past.

Sometimes, people are suspicious when they see me with a
camera pointed at their home. It can be easier sometimes to avoid conflict and move on.

If the scene is really compelling, I will stop and explain. That usually works.

On this occasion I encountered this scene at 4:30pm in early
December 2009. There wasn’t much light so I set up a tripod, which takes a
little time. As I worked, a car pulled in to the driveway driven by the property owner. I introduced myself, and explained the calendar, it charitable purpose, and that his home might someday be featured. He was very friendly, and seemed excited at the prospect.

I hope he likes the image as much as we did.

January 2013: Engine at Gracedale

Fujifilm E900

This image was taken at the Gracedale railroad yard, located  along route 437 in Mountaintop,. It was taken late in the afternoon, and late in January of  2007. I recall that it was quite cold and that snow was just beginning to fall. I drive past this scene every day, but at that moment I was struck by the contrast  between the bright green and yellow of the engine, and the dull greys and browns of the background.

The camera is an interesting little point and shoot, manufactured by Fujifilm.It was my “glove box camera”for many years. It produces great images and shoots in RAW, a rare feature for a compact camera in those days.

I have always like Fuji imagers. They have been known in the photographic community over the years for a flattering color profile, and high-resolution relative to the actual number of pixels on the chip. I have always felt that film manufacturers  have a natural advantage for certain aspects of  digital imaging, particularly in chip design (Kodak has produced nice imagers also). About three years ago, they stopped producing serious photo tools, filling their line with mediocre consumer cameras.

Now, Fuji is producing some wonderful cameras again. I have my eyes on several of  their new offerings.

Back Cover: October day at Lake Scranton

Nikon D7000, Nikkor 16-85mm f3.5

I have wonderful memories of Lake Scranton.
It’s another place where I courted my wife in college. I remember long walks
around the lake in the spring and fall.

I hadn’t been there in many years until I visited in October
of this year, camera in hand.

Things have changed a bit. I remember walking a gravel foot
path. Now there is a paved road around much of the lake. The scenery is lovely;  a jog around the lake remains a wonderful way to spend an hour or so exercising in the outdoors, minutes from the city.

I walked around a portion of the lake wanting an image
depicting the usual activities that occur there. We thought that this image makes
sense as a rear cover, given the vantage point from which it was shot.

Well, thanks for visiting. Feel free to explore the rest of the site. We love to get feedback.

If you bought one of our calendars, thanks for helping the children.