Monthly Archives: August 2010

The Empty Bedroom

 

 

Brigid's Room (Nikon D-700, Nikkor 50mm f 1.8)

I have been remiss in posting for a little while.

A lot has been going on.

 For one thing, a week ago, my wife Cathy and I dropped my daughter off at college for her freshman year.

This went well; the unloading day was very well run, she has a big dorm room and a lovely roommate. They seem to be getting along well, which I am told can be problematic for first year students picked to be “roomies” by the school.

I’m proud of her. She’s quickly landed a job at the school’s computer help desk and seems to be adapting well to college life. I think she is savoring her independence, an attitude which can be slightly nerve racking for college newbie parents. She doesn’t call as much as I would like. Much of what we know comes from texts to her brother.

My wife and I, like innumerable couples before us, are adjusting slowly to the change. It’s a little sad to go into her bedroom at home. Before she left it was an unorganizable mess, jammed with an accumulation of mementoes of her childhood, and more recent artifacts reflecting the “garbage brain” approach to life that I think she inherited from me. My wife always pushed for her to keep it neat, but never recently was that truly accomplished.

Like most teen bedrooms, it was usually a complete mess.

Posters covered the walls, and the carcasses of old computers she had cannibalized for parts, or salvaged when abandoned, were everywhere.  Along with computer gear,  there were piles of CDs and DVDs without sleeves(that drove me nuts) on her desk along  with generations of IPods which she had collected and filled with music. The bed was rarely made. The floor was covered in clothes. Parents, does this sound familiar?

The bookshelves overflowed with diverse reading, some from school, some of her own choosing.  She had a penchant for changing the room layout including the furniture, about every three weeks, an obsession which I never really understood.

 Now, with most of the debris gone, her mother’s organizational skills are winning the day. The bed is made and the room is becoming a tidy space. Eventually, it would make a very a nice guest bedroom.

Except I already have one of those.

Happily, Brigid will return for a summer or three, and the room will temporarily devolve once again.

We obviously understand that ultimately, for her as well as her brother to succeed, they will have to leave us permanently… except of course for holidays, and (caution- traditional values exposed) hopefully, visits someday with their spouses and our grandchildren.

I’m cool with this.

I just wasn’t quite ready for it to start happening so soon.

Stay

I’m adding a video here of one of my favorite musical groups of any genre.

  The band in question, Union Station, would be wonderful enough with the fine voice of their lead male vocalist Dan Tyminski. It was Dan and the band that scored with the iconic hit “Man of Constant Sorrow” from the Coen Brother’s film “Oh Brother Where Art Thou”,  lip synched as it was by George Clooney in that production.

 If you listen to them long enough, you come to appreciate that the band is a tight, extremely disciplined group with a polish that is more typical of a jazz ensemble.

When you add in the incredible Allison Kraus, with her astounding voice, backed by the group’s fine harmonies, the songs they sing easily transcend past performances by less talented groups. It is an almost embarrassment of riches , that Ms. Krauss, in addition to her almost otherworldly vocal talents, also plays a mean fiddle. 

Like Ricky Scaggs, featured elsewhere on this site, their obvious musicality draws people into bluegrass music that might otherwise be put off by earlier, and perhaps more “rustic ” practitioners of the craft.

So with my compliments, enjoy:

Unexpected, but Nice

  

On the Rocks ( Panasonic GH1, 14-45mm Lumix)

 Sometimes an image will surprise you in small but delightful ways.

   Sometimes it will be the inclusion of an unnoticed detail in a corner of the image that adds interest to the eye.

  When shooting on the water, it can be a feature under the surface, unseen through the viewfinder, but revealed courtesy of the polarizing filter you thoughtfully placed on the lens.

   In my case recently, it was blue light.

  I was camping with my daughter Brigid, a sort of last attempt to bond before she escapes to college life. We paddled our kayaks to an island in the Saranac Lake chain of upstate New York.

  Truth be told, she wasn’t real happy about this. Her brother escaped “dad duty” as he had brought two friends with him on our trip up north, and there weren’t enough kayaks. His time will come.

Waiting to Launch (Panasonic LX-3)

  I was going one way or another, and I’d like to think if anything, Brigid went to make sure that I didn’t capsize and drown.

 This particular trip is lovely.  You “put in” at a state sponsored site on the Saranac River and paddle through a series of ”ponds” prior to emerging into the vast waters of Lower Saranac lake. This is a large convoluted body of water, connected to the Middle Saranac Lake again by the Saranac River which reappears at the southwestern end of the lake. Multiple islands erupt from the lake floor. They vary in size from single rocks harboring a small pad of soil and a few conifers, to multiple acre-sized landforms covered in White Pine and northern hardwoods. This makes Lower Saranac a pleasant, visually interesting, largely sheltered place to paddle, though we did encounter fairly fresh winds and chop over the open sections we had to traverse.

   As they were loaded with gear, the ‘yaks rode lower in the water than usual, and it was somewhat difficult to “beach” them on the steep and slippery gneiss shoreline on the island we had chosen. Once secured, we unloaded and set up camp.

The NYS DEC maintain this area nicely. There are nice wide open tenting areas. There is even a privy available (definitely necessary, as these are busy sites)

Each site has a concrete fireplace, correctly designed to provide reflected heat for the cool Adirondack nights (thirty to forty degree nights would not be uncommon).

  I removed my Panasonic GH1 and two lenses from the dry bag where they resided for the trip over and waited for the light to get interesting.

  I had thought about taking some video, especially if the lake’s loons cooperated by calling prominently, but they were quiet that night. A few of their mournful cries were audible, but only in the distance. We contented ourselves with the warbling of wood thrushes, the chittering of the islands sole red squirel, and the occasional sound of passing powerboat.

Power Boat at Sunset (Panasonic GH1, 14-45mm Lumix)

   Periodically, dark clouds appeared, threatening rain. Happily it held off until much later, when we were finally zipped into the tent for the night.

  At dusk, the temperature dropped and fire seemed like a nice idea. I gathered wood and using the bark from a birch log we found already at the site, started one fairly easily.

  I spent a lot of time in the hour around sunset, shooting from various vantage points before returning to the campsite for good.

   There, Brigid and I sat around the fire as the light faded. The glow of the fireplace was evocative. I had no tripod on the trip ( yes, I know, big faux pas) so I was forced to set the camera at ISO 1600 (not the GH1’s best strength) to get reasonable shutter speeds.

   I asked Brigid to stay very still, and shot several frames with her in the foreground, counting on the image stabilization to keep things sharp. It was important to if anything, over-expose a bit (with a fire as the bright point it doesn’t matter so much), to avoid shadow noise. I looked at the image on the LCD in camp, it looked OK, and I put the equipment away for the night.

   I shot a few more images in the morning before we left the next morning but the sky was cloudy and the light mostly unremarkable. Still… there were moments.

Morning at Hatchet Island( GH1, 14-45mm Lumix)

   When I got back to my computer and was able to view the images in Photoshop, I noticed something I hadn’t seen in camp. In sharp contrast to reds and oranges of the firelight, was a soft blue glow evident through the trees at the shoreline, the fading blue of the night sky reflected in the water of the lake. I played with raw image a bit, pushing the exposure to a point that enhanced this effect (but only a bit). I was surprised and impressed with the camera’s dynamic range and metering which had allowed all of this to be recorded.

Brigid by the Fire (GH1, 14-45mm Lumix)

I like this picture. It reminds me of the numerous, and largely anonymous campfire scenes one sees for sale at souvenir shops throughout the Adirondacks.

  More importantly, it will always remind me of a very pleasant memory of time spent with my daughter before she embarks on a new phase of her young life.

BTW Brigid, Happy 18th.